Happy New Year. It's taken me this long to find the time to
write about a show on Nov. 25.
It was the ninth Munekyun Arpeggio, an annual event to remember the life of Takayuki Fukumura, the former guitarist for advantage Lucy and Vasallo Crab 75. I thought about birth at this show that came into being because of Fukumura's death.
It was the ninth Munekyun Arpeggio, an annual event to remember the life of Takayuki Fukumura, the former guitarist for advantage Lucy and Vasallo Crab 75. I thought about birth at this show that came into being because of Fukumura's death.
New sounds were being born. The first band was Bertoia, led
by a girl who calls herself Murmur. She'd been an advantage Lucy fan since high
school, when she went to see the band in Osaka with her mom. Now she has her
own shoegazer group, playing for a packed audience at the Que.
Up until I stepped into the club and heard Bertoia's first
note, I was feeling a mental chill--maybe going to this gig was like trying to
relive something that had already passed me by. But then the first chord
sounded, and the warmth returned.
I'd seen Murmur on stage before, but I saw that she and her
band had grown as performers. Once shy and appearing almost afraid, she now
looked at the audience, so that she could better tell her story of music. And
when I listened later to their album Modern Synthesis that I bought that night
at the club, I remembered what they created on stage--emotions melted and
shaped into music.
***
When advantage Lucy came on stage and vocalist Aiko
introduced the band, she said there was one other person there--she was almost
seven months pregnant. Tiring more easily because of the baby, she still sang
beautifully old songs like "When I Sleep" and "Nico" that
she once played together with Fukumura. Almost ten years since his departure, a
new life was being created--it was sweet to think about the old times those
songs evoked and the days that had passed.
The bands made a compilation album for the Munekyun Arpeggio
event, and advantage Lucy contributed a song called "Stars". Aiko
teared up, saying women in her state became emotional easily, while explaining
the song: it's about all those people who are gone, but may be looking over us
from the sky. And if the death of one person hurt so much, what must it have
been like, after the earthquake, when more than 10,000 lives disappeared? That
was the emotion that led to the song's conception.
***
Last up was Vasallo Crab 75, Fukumura's final band, which he
formed with school-buddy Daisuke Kudo.
If Bertoia and Lucy made me think of birth, VC75's music was
about growth: from a duo that home-recorded guitar pop tunes a decade ago, VC75
had evolved and mutated into a funky six-piece ensemble that mashed together
rock, soul, jazz and classical, always energizing the audience. But I felt that
the sensibility hadn't changed, and Fukumura would have enjoyed seeing what the
band had become.