J-punk has been my thing recently: I've been listening to a lot of Ging Nang Boyz, Gauze (after reading this in Tokyo Damage Report), a J-Psychobilly compilation album called Far East Evils, punker-turned-novelist Machida Machizou's old work, etc. Another album whose play count has been shooting up in my iTunes library is So no Gunjyou, the new work by poetic, Japanese-language-only, quasi-emo quartet Moga The Y5, a longtime favorite group of mine. My latest rightround column is about Moga The Y5, their label Pizza of Death Records, and about the fact that punkers get older too.
Wednesday, February 14, 2007
Rightround Column: Moga The Y5
J-punk has been my thing recently: I've been listening to a lot of Ging Nang Boyz, Gauze (after reading this in Tokyo Damage Report), a J-Psychobilly compilation album called Far East Evils, punker-turned-novelist Machida Machizou's old work, etc. Another album whose play count has been shooting up in my iTunes library is So no Gunjyou, the new work by poetic, Japanese-language-only, quasi-emo quartet Moga The Y5, a longtime favorite group of mine. My latest rightround column is about Moga The Y5, their label Pizza of Death Records, and about the fact that punkers get older too.
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