That was fast.
Tickets for the latest live tour of Tokyo Incidents (a.k.a. Tokyo Jihen), Shiina Ringo's band, went on sale on the 29th, and everything sold out in a matter of minutes. In Tokyo, tickets for all four nights at the Zepp, which holds 2,700 people, are gone. Reading some of the fan sites, it sounds like buying the tickets on the official first day of sales was a last resort--before that there were various escape routes, like applying for the tickets through the official fan club or taking part in contests, in order for fans to get their hands on that coveted prize, tickets to an actual Tokyo Incidents gig.
Ho hum. I'm a fan of Tokyo Incidents and Shiina Ringo, but I still find the way that big major-label artists like Shiina do shows disappointing and un-musician-like. They basically only perform live when they release albums (this latest tour comes after the band's 3rd album, Variety, or Goraku, hit the stores), and, by playing only once in a while, raise the scarcity value of their appearances. Buying tickets becomes tough, thus elevating the mystique of the performer.
But it's so contrived. What's the true worth of a musician that doesn't perform often? Not much, in my opinion. Which is why I'm an indie fan. I'd like to see Tokyo Incidents one day, but what silliness to come up with a detailed battle plan to get tickets, when you can see great shows every night of the week at the Que or O-Nest or Shelter, etc. And besides, the security staff at the Zepp are going to be little Blue Meanies anyway, hovering over you to spoil your fun...